![]() ![]() As with many of her previous installations, the soundtrack provides a narrative to an otherwise non-narrative work – in this instance the viewer hears recordings of voice transmissions from NASA mission control, and from the cockpit of a space shuttle in orbit.īronson has had one person exhibitions at the Museum of Contemporary Art, Los Angeles, where she was the second recipient of the Citibank Emerging Artist Award the Institute for Visual Arts, Milwaukee and was included in the Let's Entertain exhibition at the Walker Art Center. In Bronson's video the clouds are digitally altered so that they morph into unnatural shapes at accelerated speeds. But what Bronson addresses is humankind's manipulation of nature – from changing weather patterns to genetic engineering. What the viewer sees at first is video of cloud formations. One of Bronson's goals is to create a sort of media-induced hypnotic state – what the layman might call "zoning out" – which Bronson sees as meditative and possibly even transcendent.īronson's site-specific MATRIX installation – a three-screen, mural-scale video projection – reflects her interests in landscape painting, photography, structuralist cinema, special effects, sound art, and science fiction. Her video installations – often incorporating a number of large screens in a variety of shapes and sizes – are intended to confront the viewer in a number of ways. Interested in the construction and history of film, Bronson uses appropriated footage as well as film and video images that she shoots on location. The installation – a three-screen, mural sized video projection – will open at the museum on Sunday, September 16.īronson is known for her video installations, monitor works, and single-channel videotapes which address different genres of film and video, and the ways viewers relate to each of these time-based media. The University of California, Berkeley Art Museum and Pacific Film Archive is proud to present Jessica Bronson/MATRIX 194 heaps, layers, and curls, a new project commissioned for the MATRIX Program for Contemporary art.
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